London: Marcus Ward & Co., 1877. Early printing. Square 12mo. (7 1/2 inches tall), original blind-stamped white paper boards, gilt spine, all edges yapped, marbled endpapers, uncut. Early owner signatures to flyleaf and half-title, minor splitting to hinges and interiors, spine and boards darkened, gilt title still visible, sporadic offsetting..... More
New York: Macmillan, 1943. Early edition. Octavo, original red cloth, original dust jacket. Book fine except for two small dents at the bottom edges, price-clipped dust jacket with minor creasing and chips to corners. Bookplate. A clean, fresh copy. "THE LOWERARCHY OF HELL" Early American printing of Lewis's satire, a...... More
London: Geoffrey Bless, 1955. Octavo, original pale gray cloth, yellow top edge, original dust jacket. A nearly-fine book, small closed tear at top of front panel, trace of wear to spine ends and corners. An excellent copy. "I GAVE IN, AND ADMITTED THAT GOD WAS GOD, AND KNELT AND PRAYED"..... More
London: Burns, Oates and Washbourne, Ltd., 1934. First edition. Octavo (8 3/4 inches tall), contemporary gilt russet morocco, gilt dentelles, patterned gray endpapers with additional patterned flyleaf, all edges gilt. Very gentle edge-wear, minor bumping to still-sharp corners of bright gilt boards. A beautiful copy. First edition of this important..... More
London: Macmillan, 1930. Later edition. 12 mo. (7 1/8 inches), contemporary full brown calf gilt, top edge gilt and gauffered, patterned endpapers, ribbon marker. Bookplate and owner signature. A nearly fine copy. "THE KING—DEVOUT AND STATELY—ALONE BEFORE THE ALTAR, THE EXQUISITE MUSIC AND THE SINGING OF THE KING'S CHOIR, WHICH..... More
London: Longmans, Green and Co., 1957. First edition. Octavo, contemporary three-quarter dark red crushed morocco, two ribbon markers, all edges gilt. Very faint toning to spine, gentle wear to head of spine and one upper corner. About-fine. "COUNTLESS MARTYRS CHEERFULLY LAID DOWN THEIR LIVES RATHER THAN FOREGO THE SAYING OR..... More
Notre Dame: University of Notre Dame Press, 1981. First edition. Tall octavo, original maroon cloth, original dust jacket. Book fine, dust jacket with a trace of edge-wear and typical toning to top of front panel, spine and flap folds. An excellent copy of a scarce book. "FOR THE MODERN RADICAL..... More
London: Oxford University Press, 1933. Early edition. Thick 12mo. (7 5/8 inches tall), original gilt and blindstamped blue cloth, original dust jacket. Spotting to top edge of nearly-fine book, mild toning to spine of lightly spotted dust jacket. A handsome copy. THE LADY MEUX MANUSCRIPTS ILLUSTRATING POPULAR CHRISTIANITY IN ABYSSINIA..... More
New York: Catholic Book Publishing Co., 1947. First edition thus. 24mo. (6 inches tall), original brown pebbled cloth, original dust jacket. Fine. 'KNOW, MY SON, MY MUCH BELOVED, THAT I AM THE EVER TRUE VIRGIN MARY, MOTHER OF THE TRUE GOD" First edition thus of Fr. George Lee's study of..... More
London: Routledge & Kegan Paul, 1962. First edition. Tall octavo, original red cloth, original dust jacket. Book is nearly-fine, short open tear to back panel of near-fine dust jacket. An excellent copy. "PRINT HAD THE EFFECT OF PURIFYING LATIN OUT OF EXISTENCE" First British edition of Marshall McLuhan's kaleidoscopic commentary..... More
Ditchling: St. Dominic's Press, 1930. First edition. Octavo, original black pebbled cloth spine, charcoal cloth boards, uncut, original glassine wrapper. A crisp, clean book in the substantial remains of the original wrapper. A nearly-fine copy. "WITHIN THY FATHER'S ARMS / PEACE BE TO DEATH'S ALARMS / AND IN GOD'S MOTHERING..... More
Louisville, Kentucky: Trappist, Kentucky, U.S.A., 1949. First edition. Folio (12 inches tall), original gilt blue paper wrappers with mounted illustration, russet endpapers. Early owner signature to flyleaf and half-title, gentle toning to edges, slight wear to mounted illustration, not affecting image. A near-fine copy. "THIS BOOK IS A SONG OF..... More
London: Allen and Unwin, 1964. First edition. Octavo, original orange cloth, yellow top edge, original dust jacket. Book fine, very mild soiling and edge-wear to bright dust jacket. A near-fine copy. "NONVIOLENCE HAS DEEP HISTORICAL ROOTS IN THE CHRISTIAN FAITH AND IN THE CHURCH OF JESUS CHRIST, EXEMPLIFIED IN ITS..... More
London: Burns and Oates, 1963. First edition. Quarto (11 3/4 inches tall), original dark red beveled cloth boards with gilt vignette, pink endpapers, dark red top edge, uncut, original dust jacket. Small bookseller's ticket. Gentle bumping to rear corners, faint tape mark to blank flyleaves, touch of crimping to spine..... More
London: Art and Book Company, 1896. First edition. Octavo, original illustrated white cloth stamped in black and silver, uncut. Bookplate. Tanning to blank flyleaves, offsetting from bookplate, slight lean to toned spine, mild fading to mottled front board, corners bumped. Very good indeed. "THE IDEAL OF A RELIGIOUS ORDER" Rare..... More
Los Angeles: Warren F. Lewis, 1941. First edition. Folio (13 inches tall), original half burlap over green paper boards with mounted illustration, original dust jacket. Light spotting to excellent dust jacket. A nearly-fine copy. "THE OLD MUSIC REMAINS, TO BE SUNG AGAIN WITH REVERENCE, AND TO TOUCH OUR MATTER-OF-FACT LIVES..... More
London: Burns & Oates, 1961. First edition thus. Octavo, original green cloth, green top edge, original dust jacket. A bright, about-fine copy. "THUS JESUS CHRIST, WHO DOETH GOOD AGAINST EVIL, IS OUR VERY MOTHER" Superb "Orchard Books" edition of Julian of Norwich's Revelations of Divine Love, a new translation of..... More
New York: James Pott and Company, 1897. Quarto (10 inches tall), original white textured paper boards with embossed medallion, original white folding cardboard box. Fine book, early owner signature, modest soiling and minor wear to original cardboard box. "AND SO ARE WE BROUGHT TO THE GREAT COMMEMORATIVE DAY. WHAT HATH..... More
London and New York: Sheed and Ward, 1956. First edition. Octavo, original maroon cloth, original dust jacket. Bookplate. Both the book and the dust jacket are in excellent condition. A nearly-fine copy. 'LUMEN ET DECUS EXIMIUM' OF THE ENGLISH NATION First edition of John Henry Newman's diaries and autobiographical writings..... More
San Francisco: Privately printed by the Grabhorn Press for Albert Bender, 1939. Limited edition. Folio sheet (15 by 10 1/2 inches), printed on watermarked paper, folded once to make four pages. Title in black with printer's device on the front page, fore-and-bottom edges uncut, text in gilt and black with..... More
New York: Farrar, Straus and Giroux, 1979. First edition. Large octavo, original black cloth, yellow top edge, original dust jacket. A nearly-fine copy. "EVEN IN THE LIFE OF A CHRISTIAN, FAITH RISES AND FALLS LIKE THE TIDES OF AN INVISIBLE SEA" First edition of this collection of Flannery O'Connor's engaging..... More
Cambridge, Massachusetts: Harvard University Press, 1958. First edition. Two volumes. Octavo, original red and original green cloth, volume one in original dust jacket, volume two is ex-library with ink stamp to bottom of the title-page. Volume one is fine, volume two is very good indeed. "FOR / HERBERT MARSHALL MCLUHAN..... More
London: The De La More Press, 1902. First edition. Quarto, original vellum spine, gilt and blind stamped gray paper boards, top edge gilt, uncut. Soiling to spine, toned edges, corners bumped, foxing to blank flyleaf, binding sturdy, closed tear to plate VII (not affecting image) else interior text and plates..... More
Chicago: University of Chicago, 1956. First edition. Octavo, original red cloth, dark top edge, original dust jacket. Lower corners bumped, staining and soiling to spine and rear panel of dust jacket. A very good copy. "FATHER IN HEAVEN!" First edition of LeFevre's reinterpretation of Kierkegaard as a religious thinker. Lefevre..... More
New York: Sheed & Ward, 1956. First edition. Quarto (11 1/4 inches tall), original cloth spine, marbled paper boards, original dust jacket. Book fine, small chip to upper rear upper panel of the excellent dust jacket. "CHURCH ART TODAY—AS AT ANY OTHER PERIOD—WORKS WITH THE FORMS, COLOURS AND MATERIALS OF..... More